The scent of imagination

[sathari]

Over in the welcome post, synecdochic  and I had a bit of a discussion about scent and imagination/synaesthesia, as a result of which I promised to post the following questions for the comm to play with!

- Do any of you have synaesthetic effects around your perfumes and other scented things? (For those who aren't feeling like clicking links, synaesthesia is when you have two or more senses that overlap or interact--- some of the most common ones are associating colors with letters or numbers, although just about any combination is possible--- the link is to a book called The Man Who Tasted Shapes, in which an MD was inspired to research synaesthesia as a result of a friend who could tell that chicken was undercooked because "it didn't have enough points on it". In this case, we'd be talking about sounds, colors, textures, etc., that your perfumes and other scents call up for you--- or other scent-related overlaps: did you buy a perfume because it smells like your favorite song, for example, or your favorite color?)

- Relatedly, do any of you associate particular scents with fictional characters (ones you follow in others' work, ones you work on yourself, ones who are both, etc.?)

I'll post my answers down below as an example, if anyone's curious.

(Suggested tags: meta; maybe something related to "things we relate to scents" or "ways we experience scents")

Comments

[sathari]

Synaesthesia with my perfumes: the two I'm most conscious of right now are Dee and Jezebel, both from BPAL. Dee: as I said over in the thread I linked above, "sniffing it on me is the mental equivalent of curling up in an overstuffed leather armchair in front of a roaring fire and that is just the beginning of my description". I can see/feel the fire, and the dark stone room with no light but the fire, and the deep brown leather armchair, and the plaid fuzzy blanket I'm wrapped in, and the mug of dark hot tea on the table--- all from a sniff of Dee on my skin! If I'm going for a quicker description, "it smells warm and brown" would be what I'd say about it (so temperature-feels as well as color ones!)

Jezebel is a little less thorough in its imagery for me: I'm wearing it right now, and it's the color of honey and sand and sunsets and just a hint of something green, and something orange-and-red and blossoming, and the feel of a kind of humid almost-warmth. It's kind of a desert-after-the-rain scent to me (not that I know what actual deserts smell like after rains), which brings me to my next point...

Characters you associate with certain scents: there was absolutely no doubt in my mind that the "cactus-flower perfume" that I have been known to write Ashelia B'nargin Dalmasca from Final Fantasy XII as wearing? Smells exactly like Jezebel even though it would be made from different things in her world (like, um, actual cactus flowers, lol) than it is in ours. Similarly, I am developing whole headcanon structures around the rules for the different Archadian Houses' scents, based around the use of sandalwood and pine "chops" as social currency/markers in canon. (All of which is actually no more nor less than a way to explain exactly why the scent that Vayne Solidor always wears smells uncannily like BPAL's Bow and Crown of Conquest. Which in turn has to do with the cedar note in it and the existence of cedar chops as an Imperial-family-exclusive status mark--- I just basically have a chicken-or-egg problem: did the Solidors get a House scent blended for them with cedar in it because cedar chops were used by the Imperial family and they were marking/staking their turf, or did they start using cedar chops as an Imperial-family-only symbol after they took the Imperial throne, because it was part of their House's signature scent? Oh, decisions, decisions!) Likewise, I am trying to pick an awesome sandalwood scent for House Bunansa, so that I know what Balthier wears when he's feeling nostalgic or embittered, or needs to prove a point/establish his status at a visceral level to an Archadian.)

Those are the ones I have a lot of current headcanon about, and strangely I don't have a lot of scent thoughts for characters from other games (except that I seem to have adopted the broad general bit of fanon that SOLDIERs from FFVII are hypersensitive to scent and probably don't wear cologne etc. even when they're not in the field.) On the other hands, back when the first Iron Man movie came out I amused myself imagining someone telling Tony Stark about BPAL and him promptly trying a variety of the scents with sexually suggestive names, especially names that he would see as letting him introduce the topic of his own sexuality into the conversation, like Casanova and Golden Priapus, lol. Also, Padme Amidala from the Star Wars prequel trilogy has a scent with plum notes in it but I don't know what else or what the scent is!

[thatyourefuse]

Oh, BOY, do I associate smells with fictional characters.

I think the best example of this may have been the time I applied Guerlain Nahema for the first time, sniffed my wrist about a half hour in, and almost physically jumped because I smelled like Mrs. Coulter.

That was really actually pretty great.

about point #2

[archersangel]

i never did until all this talk about black phoenix alchemy lab (BPAL) started (and i don't even wear perfume). my weird brain brought up the idea of scents inspired by famous roman emperors & the amelia peabody series by elizabeth peters;

http://archersangel.dreamwidth.org/145008.html

and then famous queens;

http://archersangel.dreamwidth.org/145179.html

[owlectomy]

One of the main things I've been using scents for lately is to help me focus on my writing. (I've had some very bad writing years, got trapped in not being able to concentrate because of anxiety and loss of self-confidence, and the best way around that for me has been training myself to use small sensory cues as messages that it's writing time. Whatever works?)

There's a snake-king in my WIP, so I was really happy to discover a solid perfume called "Serpent," which not only smells really good but also evokes some of the moods/themes of the story. It's not the perfume any of my main characters would wear (I think Hallie wears Marc Jacobs Daisy, Thea showers with bergamot soap, and Isabel... hm, Juliette Has A Gun Midnight Oud is the perfume she'd want to smell like, but I doubt she has a bottle) but it's great as an evocation.

[byzantienne]

I both strongly associate scent with persona -- specific fictional people sometimes, or hypothetical fictional people that come to mind just wearing/smelling the perfume -- and with colors, which is more traditionally synesthetic. Scents absolutely have color palettes to me; for example, Tauer's 'L'Air du Desert Marocain' is clay-red, pale sand, and shimmering blue-grey.

[synecdochic]

Perfume is sound for me! I hear blends, and half the time I don't like one, it's because it makes a chord that's too dissonant for me.

I try to keep this out of my scent reviews, but sometimes I just have to say that Mage is exceptionally high-pitched or Whip is screechy.

Also, I don't have lists of scents for characters, but I have been searching for the scent of Midgar for a while. (Cinnamon-and-ozone aquatic for the Mako reactors, steel and asphalt for the Plate, and the smell of neon in the background. Yes, neon has a smell.)

[vass]

Before I started getting into perfumes this year, I expected I'd get a sense of place/setting from them. Instead I've getting character/persona, and that was unexpected and cool.

Usually it's someone I haven't met before, but sometimes it's a fictional character (or a famous person) I'm already fannish about. Serge Lutens' 'Gris Claire' is Gregor Vorbarra from the Vorkosigan series. And Piguet's 'Bandit' is Rachel Maddow. (It isn't just her - it could be other people too - but it's definitely her.)

[feldman]

Looking over my notes there're a lot of color and texture words that are experiential, not poetic. There is definitely something plum purple and mineral green about BPAL's Apothecary (not plum fruit, just the color). I'm not used to actually thinking about scent, and then putting it into words, which is problematic in doing any kind of review--my notes function mainly to remind myself of the scent.

Which is a question I'd like to throw out there: how many here can recall scents when you're not smelling them? I can, but the spouse cannot--however, he's a hundred times better at identifying scents, as in, "there's a hint of rosemary in this". I find the ability to verbally identify scents magical.

[teaotter]

I get spaces and textures, but my synaesthesia has always been predominantly kinesthetic. So "small room with a warm stone floor and a leather couch" is a possible response to a perfume.

I don't get characters, though I've spent some time thinking about what characters might wear. But that's as much about what perfumes evoke in me the same kinds of kinesthetic experiences as the character, so I'm always a little shy about talking about it.

(moved to correct reply spot, sorry!)

[musyc]

I tend to get visual images and/or colors most when I'm associating with scents. I don't think I'd call it a form of synesthesia, or it's a veryvery minor form of it? *shrug* But, frex, BPAL's The White Rider on its first sniff was light purple to me. The purple of the horizon at sunset. Ave Maria was 'dustmotes in sunlight' gold.

[dejla]

Actually, I do associate scents with fictional characters. Whenever I'm setting up a character, I think of things like: usual perfume, favorite food, favorite color -- all of those, I think, help me define a character as a person.